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Difficulties often arise in pinning down the ideas of the Pre-Socratic philosophers, and in determining the actual line of argument they used in supporting their particular views. This problem arises not from some defect in the men themselves or in their ideas, but simply from their separation from us in history. While most of these men produced significant texts, we have no complete versions of any of those texts. We have only quotations by later philosophers and historians, along with the occasional textual fragment.

The low pitch of Greek rooves produced a flat triangular shape at each end of the building, the pediment, which was usually filled with sculptural decoration. Along the sides of the building, between the tops of the columns and the roof, was a row of blocks now known as the entablature, whose outward-facing surfaces also provided a space for sculptures, known as friezes, which consisted of alternating metopes and triglyphs. No surviving Greek building preserves these sculptures intact, but they can be seen on some modern imitations of Greek buildings, such as the Greek National Academy building in Athens.

The sculpture of Ancient Greece is by far the most important surviving form of Ancient Greek art, although only a small fragment of Greek sculptural output has survived. Greek sculpture, often in the form of Roman copies, was immensely influential during the Italian Renaissance, and remained the “classic” model for European sculpture until the advent of modernism in the late 19th century.

The subsequent biographical traditions of Pythagoras reflect this split: they portray him alternately as a down-to-earth political reformer, a pioneering scientist, or a wild shaman-figure. The truth no doubt lies somewhere in between.

Architecture, like painting and sculpture, was not seen as an “art” in the modern sense for most the Ancient Greek period. The architect was a craftsman, employed by the state or a wealthy private client. There was no distinction between the architect and the building contractor. The architect designed the building, hired the labourers and craftsmen who built it, and was responsible for both its budget and its timely completion. He did not enjoy any of the lofty status accorded to modern architects of public buildings. Even the names of architects are not known before the 5th century. An architect like Iktinos, who designed the Parthenon, who would today be seen as a genius, was treated in his lifetime as no more than a very valuable master tradesman.

Since the restoration of democracy the stability and economic prosperity of Greece have grown. Greece joined the European Union in 1981 and adopted the Euro as its currency in 2001. New infrastructure, funds from the EU and growing revenues from tourism, shipping, services, light industry and the telecommunications industry have brought Greeks an unprecedented standard of living. Tensions continue to exist between Greece and Turkey over Cyprus and the delimitation of borders in the Aegean Sea but relations have considerably thawed following successive earthquakes - first in Turkey and then in Greece - and an outpouring of sympathy and generous assistance by ordinary Greeks and Turks. Prime Minister Karamanlis recently attended the wedding of Turkish Prime Minister Erdogan's daughter as a guest of honour. The Greek Government supports Turkish entry into the EU although clearly it seeks key commitments on Cyprus. Polls show a small majority of Greek citizens support this position - giving greater support than several other EU member countries [1] (http://news.bbc.co.uk/1/hi/world/europe/4100871.stm).

The Greek Constitution claims absolute freedom of religion. It also states that all persons living within the Greek territory shall enjoy full protection of their religious beliefs. Note however, that apart from Christian churches and Jewish synagogues, visibly operational temples of other religions do not exist in the capital, mainly due to opposition from the Greek Church. The Orthodox Church, as well as the secular state must approve any activities related to building official temples. The Constitution defines the "prevailing religion" of Greece as the Eastern Orthodox Church of Christ.

The Ancient Greeks made pottery for everyday use, not for display; the trophies won at games, such as the Panathenaic amphorae (wine decanters), are the exception. Most surviving pottery consists of drinking vessels such as amphorae, kraters (bowls for mixing wine and water), hydria (water jars), libation bowls, jugs and cups. Painted funeral urns have also been found. Miniatures were also produced in large numbers, mainly for use as offerings at temples. In the Hellenistic period a wider range of pottery was produced, but most of it is of little artistic importance.

In the 19th century, opera composers like Nikolaos Mantzaros (1795 - 1872), Spyridion Xyndas (1812 - 1896) and Spyros Samaras (1861 - 1917) helped revitalize Greek classical music