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There were two main styles (or "orders") of Greek architecture, the Doric and the Ionic. These names were used by the Greeks themselves, and reflected their belief that the styles descended from the Dorian and Ionian Greeks of the Dark Ages, but this is unlikely to be true. The Doric style was used in mainland Greece and spread from there to the Greek colonies in Italy. The Ionic style was used in the cities of Ionia (now the west coast of Turkey) and some of the Aegean islands. The Doric style was more formal and austere, the Ionic more relaxed and decorative. The more ornate Corinthian style was a later development of the Ionic. These styles are best known through the three orders of column capitals, but there are differences in most points of design and decoration between the orders. See the separate article on Classical orders.

Ancient Greek architects and artists have greatly influenced European art through the present day. Byzantine art and architecture also played an important role in early Christianity, and remains a significant influence in the Orthodox Christian nations of Eastern Europe. Yet, only a minor assortment of ancient Greek art has survived - most often in the forms of sculpture and architecture and minor arts, including coin design, pottery and gem engraving

To date, however, there has not been a final statement on behalf of the whole Orthodox Church, with regard to the status of Rome. This is not surprising, since such general, authoritarian statements are simply unheard-of within Eastern Orthodoxy, even upon issues with little to no internal disagreement. Therefore, a lack of a definitive, authoritarian, "Church-wide" statement cannot be taken to mean that the Eastern Orthodox Church necessarily espouses or rejects a specific belief. This sort of centralized communication is neither typical of nor appropriate to Eastern Orthodoxy. Because of its democratic nature, in order to make such a pronouncement, the Orthodox Church would be required to convene another ecumenical council, the last of which was held in 787 AD. There has been talk in recent years of doing exactly that in order to clarify the church's position on certain modern issues though nothing definite has been set.

Finally every Greek town had a theatre. These were used for both public meetings as well as dramatic performances. These performances originated as religious ceremonies; they went on to assume their Classical status as the highest form of Greek culture by the 6th century BC (see Greek theatre). The theatre was usually set in a hillside outside the town, and had rows of tiered seating set in a semi-circle around the central performance area, the orchestra. Behind the orchestra was a low building called the skene, which served as a store-room, a dressing-room, and also as a backdrop to the action taking place in the orchestra. A number of Greek theatres survive almost intact, the best known being at Epidaurus.

After the fall of Constantinople, many church musicians fled to Crete, as did numerous Venetians. A French physician in 1547 (Pierre Bellon) reported warrior-like dances on Crete, and Sherley, an English traveller, reported in 1599 of wild dances performed late at night.