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The 1975 constitution, which describes Greece as a "presidential parliamentary republic," includes extensive specific guarantees of civil liberties and vests the powers of the head of state in a president elected by parliament and advised by the Council of the Republic. The Greek governmental structure is similar to that found in many Western democracies, and has been described as a compromise between the French and German models. The prime minister and cabinet play the central role in the political process, while the president performs some governmental functions in addition to ceremonial duties.

As with pottery, the Greeks did not produce sculpture merely for artistic display. Statues were commissioned either by aristocratic individuals or by the state, and used for public memorials, as offerings to temples, oracles and sanctuaries (as is frequently shown by inscriptions on the statues), or as markers for graves. In the Archaic period, statues were never intended to be representations of actual individuals. They were depictions of an ideal — beauty, piety, honour or sacrifice. They were always depictions of young men, ranging in age from adolescence to early maturity, even when placed on the graves of (presumably) elderly citizens. Kouroi were all stylistically similar. Gradations in the social importance of the person commissioning the statue were indicated by size rather than artistic innovation.

Thales lived in the city of Miletus, in Ionia. According to Herodotus, he was of Phoenician descent. The well-traveled Ionians had many dealings with Egypt and Babylon, and Thales may have studied in Egypt as a young man. In any event, Thales almost certainly had exposure to Egyptian mythology, astronomy, and mathematics, as well as to other traditions alien to the Homeric traditions of Greece. Perhaps because of this his inquiries into the nature of things took him beyond traditional mythology.

Glimpsed through the practice of animal sacrifice are the traces of an older practice, which was abandoned by the increasingly civilized Greeks - that of human sacrifice. Indications for this remain in the mythology, and in comments ascribing to Orpheus teachings that forbade such practices.

Architecture, like painting and sculpture, was not seen as an “art” in the modern sense for most the Ancient Greek period. The architect was a craftsman, employed by the state or a wealthy private client. There was no distinction between the architect and the building contractor. The architect designed the building, hired the labourers and craftsmen who built it, and was responsible for both its budget and its timely completion. He did not enjoy any of the lofty status accorded to modern architects of public buildings. Even the names of architects are not known before the 5th century. An architect like Iktinos, who designed the Parthenon, who would today be seen as a genius, was treated in his lifetime as no more than a very valuable master tradesman.