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Greek pottery is frequently signed, sometimes by the potter or the master of the pottery, but only occasionally by the painter. Hundreds of painters are, however, identifiable by their artistic personalities: where their signatures haven't survived they are named for their subject choices, as "the Achilles Painter", by the potter they worked for, such as the Late Archaic "Kleophrades Painter", or even by their modern locations, such as the Late Archaic "Berlin Painter".

Remains of ancient Greek architecture still survive or are well documented today alongside more modern examples.

The ancient Greeks developed two primary styles (or "Classical orders"); the restrained and solid Doric and the refined and decorated Ionic. It should be noted that the Ionic style eventually evolved into the more ornate Corinthian style.

The transition from the Classical to the Hellenistic period occurred during the 4th century. Following the conquests of Alexander the Great (336 BC to 323 BC), Greek culture spread across the known world as far as India. Thus it became more diverse and more influenced by the cultures of the peoples drawn into the Greek orbit. In the view of most art historians, it also declined in quality and originality; this, however, is a subjective judgement which artists and art-lovers of the time would not have shared. New centres of Greek culture, particularly in sculpture, developed in Alexandria, Antioch, Pergamum, and other cities. By the 2nd century the rising power of Rome had also absorbed much of the Greek tradition — and an increasing proportion of its products as well.

The Greek islands of Kárpathos, Khálki, Kássos and Crete form an arc where the lŭra is the dominant instrument. It is a three-stringed fiddle similar to the Turkish kemençe. Kosta Moundakis is probably the most widely-respectedmaster of the lŭra, which is often accompanied by the oud-like laoúto, which resembles a mandolin. Bagpipes are often played on Kárpathos.

Greece is located in southeastern Europe on the southern tip of the Balkan peninsula. The Greek mainland is bounded on the north by Bulgaria, the Former Yugoslav Republic of Macedonia, and Albania; on the east by the Aegean Sea and Turkey; and on the west and south by the Ionian and Mediterranean Seas. The country consists of a large mainland; the Peloponnesos, a peninsula connected to the mainland by the Isthmus of Corinth; and more than 1,400 islands, including Crete, Rhodes, Corfu, and the Dodecanese and Cycladic groups. Greece has more than 14,880 kilometers (9,300 mi.) of coastline and a land boundary of 1,160 kilometers (726 mi.).

The art of ancient Greece has exercised an enormous influence on the culture of many countries from ancient times until the present, particularly in the areas of sculpture and architecture. In the West, the art of the Roman Empire was largely derived from Greek models. In the East, Alexander the Great's conquests initiated several centuries of exchange between Greek, Central Asian and Indian cultures, resulting in Greco-Buddhist art, with ramifications as far as Japan. Following the Renaissance in Europe, the humanist aesthetic and the high technical standards of Greek art inspired generations of European artists. Well into the 19th century, the classical tradition derived from Greece dominated the art of the western world.

The transition from the Classical to the Hellenistic period occurred during the 4th century. Following the conquests of Alexander the Great (336 BC to 323 BC), Greek culture spread across the known world as far as India. Thus it became more diverse and more influenced by the cultures of the peoples drawn into the Greek orbit. In the view of most art historians, it also declined in quality and originality; this, however, is a subjective judgement which artists and art-lovers of the time would not have shared. New centres of Greek culture, particularly in sculpture, developed in Alexandria, Antioch, Pergamum, and other cities. By the 2nd century the rising power of Rome had also absorbed much of the Greek tradition — and an increasing proportion of its products as well.

In earlier periods even quite small Greek cities produced pottery for their own locale. These varied widely in style and standards. Distinctive pottery that ranks as art was produced on some of the Aegean islands, in Crete, and in the wealthy Greek colonies of southern Italy and Sicily. By the later Archaic and early Classical period, however, the two great commercial powers, Corinth and Athens, came to dominate. Their pottery was exported all over the Greek world, driving out the local varieties. Pots from Corinth and Athens are found as far afield as Spain and Ukraine, and are so common in Italy that they were first collected in the 18th century as "Etruscan vases". Many of these pots are mass-produced products of low quality. In fact, by the 5th century BC, pottery had become an industry and pottery painting ceased to be an important art form.

Aristotle, by contrast, placed much more value on knowledge gained from the senses, and would correspondingly better earn the modern label of empiricist. Thus Aristotle set the stage for what would eventually develop into the scientific method centuries later. The works of Aristotle that still exist today appear in treatise form, mostly unpublished by their author. The most important include Physics, Metaphysics, (Nicomachean) Ethics, Politics, De Anima (On the Soul), Poetics, and many others. See the article on Aristotle for more discussion.

The Greeks decided at a very early period that the human form was the most important subject for artistic endeavour. Since they saw their gods as having human form, there was no distinction between the sacred and the secular in art — the human body was both secular and sacred. A male nude could just as easily be Apollo or Herakles or that year's current Olympic boxing champion. In the Archaic Period the most important sculptural form was the kouros (plural kouroi), the standing male nude (See for example Biton and Kleobis). The kore (plural korai), or standing female figure, was also common, but since Greek society did not permit the public display of female nudity until the 4th century BC, the kore is considered to be of less importance in the development of sculpture.

Several anecdotes suggest that Thales was not solely a thinker; he was involved in business and politics. One story recounts that he bought all the olive presses in Miletus after predicting the weather and a good harvest for a particular year. Another version of this same story states that he bought the presses to demonstrate to his fellow Milesians that he could use his intelligence to enrich himself. Herodotus recorded that Thales advised the city-states of Ionia to form a federation.

The primary causes of Orthodox differences with Rome include the addition to the Symbol of Faith (Nicean Creed) of the Filioque clause, papal claims to authority over all Christians (papal primacy), and other doctrinal and liturgical developments approved by the See of Rome. After the split, Roman Catholics defined other dogmas that the Eastern Orthodox also considers heretical, among them papal infallibility, the immaculate conception of the Virgin Mary, and purgatory. The See of Rome considers the Eastern Orthodox churches to be in schism. The general Eastern Orthodox consensus is that Roman Catholics are both schismatics and heretics, although a minority of Orthodox Christians believe that the difference in reality is smaller than it appears superficially.

In May 1994, the Bank of Greece successfully managed a currency crisis triggered by the lifting of currency restrictions on short-term capital movements. The bank contained speculative attacks on the drachma by tightening its monetary policy and raising interest rates dramatically: For a few days, interest rates pushed as high as 180%. In less than 2 months, with speculation on the drachma no longer a threat, interest rates returned to normal levels. A similar wave of speculation was beaten back in the fall of 1997, following the Asian financial crisis.