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Despite the country's numerically small and ill-equipped armed forces, Greece made a decisive contribution to the Allied efforts in World War II. At the start of the war Greece sided with the Allies and refused to give in to Italian demands. Italy invaded Greece on 28 October 1940, but Greek troops repelled the invaders after a bitter struggle. This marked the first Allied victory in the war. Hitler then reluctantly stepped in, primarily to secure his strategic southern flank: troops from Germany, Hungary, Bulgaria and Italy successfully invaded Greece, overcoming Greek, British, Australian and New Zealand units.

Thales had a profound influence on other Greek thinkers and therefore on Western history. Some believe Anaximander was a pupil of Thales. Early sources report that one of Anaximander's more famous pupils, Pythagoras, visited Thales as a young man, and that Thales advised him to travel to Egypt to further his philosophical and mathematical studies.

Some of the best known Hellenistic sculptures are the Winged Victory of Samothrace (2nd or 1st century BC), the statue of Aphrodite from the island of Melos known as the Venus de Milo (mid 2nd century BC), the Dying Gaul (about 230 BC), and the monumental group Laocoön and his Sons (late 1st century BC). All these statues depict Classical themes, but their treatment is far more sensuous and emotional than the austere taste of the Classical period would have allowed or its technical skills permitted.

In 1988, a new law provided the legal framework for the establishment of private radio stations and, in 1989, private TV stations. According to the law, supervision of radio and television is exercised by the National Radio and Television Council. In practice, however, official licensing has been delayed for many years. Because of this, there has been a proliferation of private radio and TV stations, as well as European satellite channels, including Euronews. More than 1,000 radio stations were operating before March 2002, when the government implemented plans to reallocate TV frequencies and issue licenses as authorized by the 1993 Media Law, effectively reducing this number.

In the Byzantine period, religious art was the dominate theme, with highly-decorated mosaics and icons adorning religious buildings. The Renaissance artist, El Greco (Domenikos Theotocopoulos), responded to Byzantine and 16th century Mannerist art, producing sculpture and paintings with a liberated form, light and colour that inspired 20th century artists such as Pablo Picasso and Jackson Pollock

In the 19th century, opera composers like Nikolaos Mantzaros (1795 - 1872), Spyridion Xyndas (1812 - 1896) and Spyros Samaras (1861 - 1917) helped revitalize Greek classical music

Surviving examples of the ancient Greek sculpture are more common, particularly the works of the Greek master sculptors, such as Phidias and Praxiteles. These artists and their followers were frequently emulated by the Romans. However, the Christians of the 4th and 5th centuries viewed the destruction of pagan idols as an act of piety. Many ancient marble sculptures were burned to form lime in the Middle Ages, and most bronze statues were melted down for their metal. The marble statues that escaped destruction were spared as they were either buried and forgotten, or in the case of bronzes, lost at sea.

During years of Nazi occupation thousands of Greeks died in direct combat, in concentration camps or of starvation. The occupiers murdered the greater part of the Jewish community despite efforts by the Greek Orthodox Church and many Christian Greeks to shelter Jews.The economy languished in tatters. After liberation Greece experienced an equally bitter civil war — between communists and royalists -- that lasted until 1949.

Greek written history extends far back into Ancient Greece, and was a major part of ancient Greek theater. Later, influences from the Roman Empire, Eastern Europe and the Byzantine Empire changed Greek music.

It is perhaps misleading to speak of "Greek religion" as a unified system of dogma or ritual; perhaps the most conspicuous aspect of the religions practised in the Greek city states is their variety. Different cities worshipped different deities; Athens had Athena; Sparta, Artemis; Corinth was a center for the worship of Aphrodite; Delphi and Delos had Apollo; Olympia had Zeus, and so on down to the smaller cities and towns. Identity of names was not even a guarantee of a similar cultus; the Greeks themselves were well aware that the Artemis worshipped at Sparta, the virgin huntress, was a very different deity from the Artemis who was a many-breasted fertility goddess at Ephesus. When literary works such as the Iliad had conflicts among the gods because their followers were at war on earth, these conflicts were a celestial reflection of the earthly pattern of local deities. Eventually, the worship of major deities spread from one locality to another, and most larger cities boasted temples to several major gods; the identification of different gods with different places remained strong to the end.

A major function of religion was the validation of the identity and culture of individual communities. The myths were regarded by many as history rather than allegory, and were used by groups to proclaim their divine right to the land they occupied, and by individual families to validate their exalted position in the social order.