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In ancient Greece, mixed-gender choruses performed for entertainment, celebration and spiritual reasons. Instruments included the double-reed aulos and the plucked string instrument, the lyre, especially the special kind called a kithara.

The standard format of Greek public buildings is well known from surviving examples such as the Parthenon, and even more so from Roman buildings built partly on the Greek model, such as the Pantheon in Rome. The building was usually either a cube or a rectangle made from limestone, of which Greece has an abundance, and which was cut into large blocks and dressed. Marble was an expensive building material in Greece: high quality marble came only from Mt Pentelus in Attica and from a few islands such as Paros, and its transportation in large blocks was difficult. It was used mainly for sculptural decoration, not structurally, except in the very grandest buildings of the Classical period such as the Parthenon.

The great majority of Greek buildings have not survived to this day: either they had been pillaged in war, had been looted for building materials or had been destroyed in Greece’s many earthquakes. Only a handful of temples, such as the Parthenon and the Temple of Hephaestus in Athens, have been spared. Of the four Wonders of the World created by the Greeks — the Statue of Zeus at Olympia, the Temple of Artemis at Ephesus, the Colossus of Rhodes and Lighthouse of Alexandria) — nothing whatever survives.

Anaximander offered up the theory of the apeiron in direct response to the earlier theory of Thales, who had claimed that the primary substance was water. Anaximander reasoned that water cannot embrace all of the opposites found in nature — for example, water can only be wet, never dry — and therefore, it can not be the one primary substance. Nor could any of the other candidates, so Anaximander postulated the apeiron as a substance that, although it could not be perceived directly, could explain the opposites he could clearly see around him.

Thales lived in the city of Miletus, in Ionia. According to Herodotus, he was of Phoenician descent. The well-traveled Ionians had many dealings with Egypt and Babylon, and Thales may have studied in Egypt as a young man. In any event, Thales almost certainly had exposure to Egyptian mythology, astronomy, and mathematics, as well as to other traditions alien to the Homeric traditions of Greece. Perhaps because of this his inquiries into the nature of things took him beyond traditional mythology.

Despite the country's numerically small and ill-equipped armed forces, Greece made a decisive contribution to the Allied efforts in World War II. At the start of the war Greece sided with the Allies and refused to give in to Italian demands. Italy invaded Greece on 28 October 1940, but Greek troops repelled the invaders after a bitter struggle. This marked the first Allied victory in the war. Hitler then reluctantly stepped in, primarily to secure his strategic southern flank: troops from Germany, Hungary, Bulgaria and Italy successfully invaded Greece, overcoming Greek, British, Australian and New Zealand units.

Architecture, like painting and sculpture, was not seen as an “art” in the modern sense for most the Ancient Greek period. The architect was a craftsman, employed by the state or a wealthy private client. There was no distinction between the architect and the building contractor. The architect designed the building, hired the labourers and craftsmen who built it, and was responsible for both its budget and its timely completion. He did not enjoy any of the lofty status accorded to modern architects of public buildings. Even the names of architects are not known before the 5th century. An architect like Iktinos, who designed the Parthenon, who would today be seen as a genius, was treated in his lifetime as no more than a very valuable master tradesman.

About 80% of Greece is mountainous or hilly. Much of the country is dry and rocky; only 28% of the land is arable. Greece has mild, wet winters and hot, dry summers. Temperatures are rarely extreme, although snowfalls do occur in the mountains and occasionally even in Athens in the winter.

In earlier periods even quite small Greek cities produced pottery for their own locale. These varied widely in style and standards. Distinctive pottery that ranks as art was produced on some of the Aegean islands, in Crete, and in the wealthy Greek colonies of southern Italy and Sicily. By the later Archaic and early Classical period, however, the two great commercial powers, Corinth and Athens, came to dominate. Their pottery was exported all over the Greek world, driving out the local varieties. Pots from Corinth and Athens are found as far afield as Spain and Ukraine, and are so common in Italy that they were first collected in the 18th century as "Etruscan vases". Many of these pots are mass-produced products of low quality. In fact, by the 5th century BC, pottery had become an industry and pottery painting ceased to be an important art form.

As with pottery, the Greeks did not produce sculpture merely for artistic display. Statues were commissioned either by aristocratic individuals or by the state, and used for public memorials, as offerings to temples, oracles and sanctuaries (as is frequently shown by inscriptions on the statues), or as markers for graves. In the Archaic period, statues were never intended to be representations of actual individuals. They were depictions of an ideal — beauty, piety, honour or sacrifice. They were always depictions of young men, ranging in age from adolescence to early maturity, even when placed on the graves of (presumably) elderly citizens. Kouroi were all stylistically similar. Gradations in the social importance of the person commissioning the statue were indicated by size rather than artistic innovation.

In modern Greek literature, notable authors include Giorgos Seferis and Odysseas Elytis, both of whom won the Nobel Prize for Literature, Nikos Kazantzakis and Vassilis Vassilikos are also widely translated