In 1988, a new law provided the legal framework for the establishment of private radio stations and, in 1989, private TV stations. According to the law, supervision of radio and television is exercised by the National Radio and Television Council. In practice, however, official licensing has been delayed for many years. Because of this, there has been a proliferation of private radio and TV stations, as well as European satellite channels, including Euronews. More than 1,000 radio stations were operating before March 2002, when the government implemented plans to reallocate TV frequencies and issue licenses as authorized by the 1993 Media Law, effectively reducing this number.
The sculpture of Ancient Greece is by far the most important surviving form of Ancient Greek art, although only a small fragment of Greek sculptural output has survived. Greek sculpture, often in the form of Roman copies, was immensely influential during the Italian Renaissance, and remained the “classic” model for European sculpture until the advent of modernism in the late 19th century.
The History of Greece extends back to the arrival of the Greeks in Europe some time before 1500 BC, even though there has only been an independent state called Greece since 1821. Follow the links in this table to articles on the various periods of Greek history.
In earlier periods even quite small Greek cities produced pottery for their own locale. These varied widely in style and standards. Distinctive pottery that ranks as art was produced on some of the Aegean islands, in Crete, and in the wealthy Greek colonies of southern Italy and Sicily. By the later Archaic and early Classical period, however, the two great commercial powers, Corinth and Athens, came to dominate. Their pottery was exported all over the Greek world, driving out the local varieties. Pots from Corinth and Athens are found as far afield as Spain and Ukraine, and are so common in Italy that they were first collected in the 18th century as "Etruscan vases". Many of these pots are mass-produced products of low quality. In fact, by the 5th century BC, pottery had become an industry and pottery painting ceased to be an important art form.
In the 1950s and 1960s Greece continued to develop slowly, initially with the help of the U.S.A Marshall programme and later with the growth of tourism. In 1967 the military seized power in a coup d'état, overthrew the social-democrat government of George Papandreou, senior and established what became known as the Régime of the Colonels, supported by the U.S.A. In 1973 the régime abolished the Greek monarchy. In 1974, dictator Papadopoulos denied help to the USA and as a result the (US/Kissinger) "appointed" a new dictator named Ioannides. Many hold Ioannides responsible for the coup against President Makarios of Cyprus -- the coup seen as the pretext for the first wave of the Turkish invasion of Cyprus in 1974. The Cyprus events and the outcry following a bloody suppression of Athens Polytechnic uprising in Athens led to the implosion of the military régime. A charismatic exiled politician, Konstantinos Karamanlis, returned from Paris as interim prime minister and later gained re-election for two further terms at the head of the conservative Nea Dimokratia party. In 1975, following a referendum to confirm the deposition of King Constantine II, a democratic republican constitution came into force. Another previously exiled politician, Andreas Papandreou also returned and founded the socialist PASOK party, which won the elections in 1981 and dominated the country's political course for almost two decades.
Surviving examples of the ancient Greek sculpture are more common, particularly the works of the Greek master sculptors, such as Phidias and Praxiteles. These artists and their followers were frequently emulated by the Romans. However, the Christians of the 4th and 5th centuries viewed the destruction of pagan idols as an act of piety. Many ancient marble sculptures were burned to form lime in the Middle Ages, and most bronze statues were melted down for their metal. The marble statues that escaped destruction were spared as they were either buried and forgotten, or in the case of bronzes, lost at sea.
Architecture, like painting and sculpture, was not seen as an “art” in the modern sense for most the Ancient Greek period. The architect was a craftsman, employed by the state or a wealthy private client. There was no distinction between the architect and the building contractor. The architect designed the building, hired the labourers and craftsmen who built it, and was responsible for both its budget and its timely completion. He did not enjoy any of the lofty status accorded to modern architects of public buildings. Even the names of architects are not known before the 5th century. An architect like Iktinos, who designed the Parthenon, who would today be seen as a genius, was treated in his lifetime as no more than a very valuable master tradesman.