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Major challenges remaining include the reduction of unemployment and further restructuring of the economy, including privatising several state enterprises, undertaking social security reforms, overhauling the tax system, and minimising bureaucratic inefficiencies. Forecasts predicted economic growth of 4 - 4.5 % in 2004. Reducing the government deficit also remains a major challenge, as it is currently running at nearly twice the Eurozone target (of 3% of GDP). The new conservative government revealed to Eurostat that the previous figures supplied, on which was the basis of Greek entry into the Eurozone, were incorrect.

Eastern Orthodoxy (also called Greek Orthodoxy and Russian Orthodoxy) is a Christian tradition which represents the majority of Eastern Christianity. The Orthodox trace their lineage back to — and claim to be the exclusive continuance of — the original Christian church, referring to themselves as the One Holy Catholic and Apostolic Church. During the first millennium of Christendom, The Eastern Orthodox and Roman Catholic churches were the same church, although some differences developed between the Christian East and West. By the 11th century, these differences had culminated in a Great Schism, separating the Roman Catholic Church from Eastern Orthodoxy.

In 1994, the Ministry of Press and Information was established to deal with media and communication issues. ERT S.A., a public corporation supervised by the Minister of Press, operates three national television channels and five national radio channels. The Minister of Press also serves as the primary government spokesperson.

Pythagoras (582 BC – 496 BC, ) was an Ionian mathematician and philosopher, known best for formulating the Pythagorean theorem.

Funeral statuary evolved during this period from the rigid and impersonal kouros of the Archaic period to the highly personal family groups of the Classical period. These monuments are commonly found in the suburbs of Athens, which in ancient times were cemeteries on the outskirts of the city. Although some of them depict "ideal" types — the mourning mother, the dutiful son — they increasingly depicted real people, typically showing the departed talking his dignified leave from his family. They are among the most intimate and affecting remains of the Ancient Greeks.

The method the Greek philosophers followed in forming and transmitting their answers became just as important as the questions they asked. The pre-Socratic philosophers rejected traditional mythological explanations for the phenomena they saw around them in favor of more rational explanations. In other words they depended on reason and observation to illuminate the true nature of the would around them, and they used rational argument to advance their views to others. And though philosophers have argued at length about the relative weights that reason and observation should have, for two and a half millennia they have basically united in the use of the very method first used by the pre-Socratics.

Votives were kept on display in the god's sanctuary for a set period of time and then were usually ritually discarded. Bronze tripods, prize cauldrons and figurines, terracotta tablets and figurines, lamps, and vases are typical examples. Armor, weapons, jewelry and other more personalized items were dedicated in large numbers, along with marble statuettes and reliefs. Some of the healing sanctuaries housed replicas of body parts donated in thanks for or in hope of cures. Large sculptural monuments in bronze, marble and other costly materials were routinely dedicated by either private donors or individual city-states in the great Panhellenic sanctuaries like Olympia and Delphi.

The population of Modern Greece includes small minorities of Muslims, Roman Catholics, Protestants, and Jews. A minute number of Greeks are practitioners of Hellênismos, which is a modern attempt to reconstruct the pagan religion of ancient Greece.

Historically, Greece has been a net beneficiary of the EU budget. Net payments to Greece totaled $4.9 billion in 1998, representing 4.2% of GDP. Net inflows were estimated at about $5 billion in 1998. These funds contribute significantly to Greece's current accounts balance and reduce the state budget deficit.

As noted above, the Archaic age is usually dated from about 1000 BC, although in reality little is known about art in Greece during the preceding 200 years (traditionally known as the Dark Ages). The onset of the Persian Wars (480 BC to 448 BC) is usually taken as the dividing line between the Archaic and the Classical periods, and the reign of Alexander the Great (336 BC to 323 BC) is taken as separating the Classical from the Hellenistic periods.

Ancient Greece was also renowned for its pottery, which included everything from drinking vessels to urns. Black-figure pottery, in which the decorations appear as black silhouettes over a red background, are highly representative of early Greek craftsmanship. Later forms include red-figure pottery and white-figure pottery.

During this period sculpture became more and more naturalistic. Common people, women, children, animals and domestic scenes became acceptable subjects for sculpture, which was commissioned by wealthy families for the adornment of their homes and gardens. Realistic portraits of men and women of all ages were produced, and sculptors no longer felt obliged to depict people as ideals of beauty or physical perfection. At the same time, the new Hellenistic cities springing up all over Egypt, Syria, and Anatolia required statues depicting the gods and heroes of Greece for their temples and public places. This made sculpture, like pottery, an industry, with the consequent standardisation and some lowering of quality. For these reasons many more Hellenistic statues have survived than is the case with the Classical period.

As with pottery, the Greeks did not produce sculpture merely for artistic display. Statues were commissioned either by aristocratic individuals or by the state, and used for public memorials, as offerings to temples, oracles and sanctuaries (as is frequently shown by inscriptions on the statues), or as markers for graves. In the Archaic period, statues were never intended to be representations of actual individuals. They were depictions of an ideal — beauty, piety, honour or sacrifice. They were always depictions of young men, ranging in age from adolescence to early maturity, even when placed on the graves of (presumably) elderly citizens. Kouroi were all stylistically similar. Gradations in the social importance of the person commissioning the statue were indicated by size rather than artistic innovation.

Hellenistic sculpture was also marked by an increase in scale, which culminated in the Colossus of Rhodes (late 3rd century), which was the same size as the Statue of Liberty. The combined effect of earthquakes and looting have destroyed this as well as other very large works of this period