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As with pottery, the Greeks did not produce sculpture merely for artistic display. Statues were commissioned either by aristocratic individuals or by the state, and used for public memorials, as offerings to temples, oracles and sanctuaries (as is frequently shown by inscriptions on the statues), or as markers for graves. In the Archaic period, statues were never intended to be representations of actual individuals. They were depictions of an ideal — beauty, piety, honour or sacrifice. They were always depictions of young men, ranging in age from adolescence to early maturity, even when placed on the graves of (presumably) elderly citizens. Kouroi were all stylistically similar. Gradations in the social importance of the person commissioning the statue were indicated by size rather than artistic innovation.

Tourism is a major source of foreign exchange earnings. Although it is one of the country's most important industries, it has been slow to expand and suffers from poor infrastructure. With more than 14 million tourists visiting Greece in 2002, the tourist industry faced declining revenues, partly due to the strong drachma. Revenue from tourism exceeded $5.2 billion in 1998, having increased somewhat as Greek tourism benefited from problems in neighboring countries and an economic recovery in the European Union.

Cape Sounion in Attica, looking out to the Aegean islandsThe Ottomans ruled Greece until the early 19th century. In 1821 the Greeks rebelled and declared their independence, but did not succeed in winning it until 1829. The elites of powerful European nations saw the war of Greek independence, with its accounts of Turkish atrocities, in a romantic light (see, for example, the 1824 painting Massacre of Chios by Eugene Delacroix). Scores of non-Greeks volunteered to fight for the cause - including, for example Lord Byron - and indeed at times the Ottomans seemed on the point of almost entirely suppressing the Greek revolution but for the threatened direct military intervention of France, England or Russia. The Russian minister for foreign affairs, Ioannis Kapodistrias, himself a Greek, returned home as President of the new Republic following Greek independence. That republic disappeared when a few years later Western powers helped turn Greece into a monarchy, the first king coming from Bavaria and the second from Denmark. During the 19th and early 20th centuries, in a series of wars with the Ottomans, Greece sought to enlarge its boundaries to include the Greek-speaking population of the Ottoman Empire, slowly growing in territory and population until it reached its present configuration in 1947. In World War I Greece sided with the entente powers against a pro-German Turkey. In the war's aftermath the Powers awarded parts of Asia Minor to Greece, including the city of Smyrna (known as Izmir today) which had a large Greek population. At that time, however, the Turkish nationalists led by Mustafa Kemal Ataturk, overthrew the Ottoman government, organised a military assault on the Greek troops and defeated them. Immediately afterwards, hundreds of thousands of Turks then living in mainland Greek territory left for Turkey as an exchange with hundreds of thousands of Greeks living in Turkey.

Some of the best known Hellenistic sculptures are the Winged Victory of Samothrace (2nd or 1st century BC), the statue of Aphrodite from the island of Melos known as the Venus de Milo (mid 2nd century BC), the Dying Gaul (about 230 BC), and the monumental group Laocoön and his Sons (late 1st century BC). All these statues depict Classical themes, but their treatment is far more sensuous and emotional than the austere taste of the Classical period would have allowed or its technical skills permitted.

Traditional dhimotiká are accompanied by clarinets, guitars, tambourines and violins, and include dance music forms like syrtó, kalamatianó, tsámiko and hasaposérviko, as well as vocal music like kléftiko. Many of the earliest recordings were done by Arvanites (ethnic Albanian) like Yiorgia Mittaki and Yiorgios Papasidheris. Instrumentalists include clarinet virtuosos like Yiorgos Yevyelis, Vassilis Saleas and Yiannis Vassilopoulos, as well as oud and fiddle players like Nikos Saragoudas and Yiorgos Koros.

The transition from the Classical to the Hellenistic period occurred during the 4th century. Following the conquests of Alexander the Great (336 BC to 323 BC), Greek culture spread across the known world as far as India. Thus it became more diverse and more influenced by the cultures of the peoples drawn into the Greek orbit. In the view of most art historians, it also declined in quality and originality; this, however, is a subjective judgement which artists and art-lovers of the time would not have shared. New centres of Greek culture, particularly in sculpture, developed in Alexandria, Antioch, Pergamum, and other cities. By the 2nd century the rising power of Rome had also absorbed much of the Greek tradition — and an increasing proportion of its products as well.

Under the 2000 constitutional amendment, complete separation of church and state is being attempted, which clashes with both the population and the clergy. For example, numerous protestations have occurred for the removal of the Religious Denomination entry from the National ID card. However, outside the Orthodox majority, many believe that Greece had and still has a serious problem of religious freedom

The population of Modern Greece includes small minorities of Muslims, Roman Catholics, Protestants, and Jews. A minute number of Greeks are practitioners of Hellênismos, which is a modern attempt to reconstruct the pagan religion of ancient Greece.

Votives were kept on display in the god's sanctuary for a set period of time and then were usually ritually discarded. Bronze tripods, prize cauldrons and figurines, terracotta tablets and figurines, lamps, and vases are typical examples. Armor, weapons, jewelry and other more personalized items were dedicated in large numbers, along with marble statuettes and reliefs. Some of the healing sanctuaries housed replicas of body parts donated in thanks for or in hope of cures. Large sculptural monuments in bronze, marble and other costly materials were routinely dedicated by either private donors or individual city-states in the great Panhellenic sanctuaries like Olympia and Delphi.

Greece achieved high rates of growth in the late 1960s and early 1970s due to large foreign investments. In the mid-1970s, Greece suffered declines in its GDP growth rate, ratio of investment to GDP, and productivity, and real labor costs and oil prices rose. In 1981, protective barriers were removed when Greece joined the European Community. The government pursued expansionary policies, which fueled inflation and caused balance-of-payment difficulties. Growing public sector deficits were financed by borrowing. In October 1985, supported by a 1.7 billion European Currency Unit (ECU) loan from the European Union (EU), the government implemented a two-year "stabilization" program with limited success. Public sector inefficiency and excessive spending caused government borrowing to increase; by the end of 1992, general government debt exceeded 100% of GDP.

Greek painters worked mainly on wooden panels, and these perished rapidly after the 4th century AD, when they were no longer actively protected. Today nothing survives of Greek painting, except some examples of painted terra cotta and a few paintings on the walls of tombs, mostly in Macedonia and Italy. Of the masterpieces of Greek painting we have only a few copies from Roman times, and most are of inferior quality. Painting on pottery, of which a great deal survives, gives some sense of the aesthetics of Greek painting. The techniques involved, however, were very different from those used in large-format painting.

Most of the best known surviving Greek buildings, such as the Parthenon and the Temple of Hephaestus in Athens, are Doric. The Erechtheum, next to the Parthenon, however, is Ionic. The Ionic order became dominant in the Hellenistic period, since its more decorative style suited the aesthetic of the period better than the more restrained Doric. Some of the best surviving Hellenistic buildings, such as the Library of Celsus, can be seen in Turkey, at cities such as Ephesus and Pergamum. But in the greatest of Hellenistic cities, Alexandria in Egypt, almost nothing survives

The Roman formula expressed the attitude of worshippers to their gods in the formula do ut des; I give sacrifices, so that the god will reward me in return. Public worship was aimed at pleasing the gods so that the gods would send rain, good harvest, military victories, and other public blessings. Private sacrifice was offered for personal goals. Prayer was highly formulaic and ritualized. Most places did not have professional full-time clergy; priests were local officials whose priesthoods were not full time jobs. Major religious sites such as the oracles of pilgrimage brought in enough spiritual tourism to need a full time clerical staff.