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The Roman formula expressed the attitude of worshippers to their gods in the formula do ut des; I give sacrifices, so that the god will reward me in return. Public worship was aimed at pleasing the gods so that the gods would send rain, good harvest, military victories, and other public blessings. Private sacrifice was offered for personal goals. Prayer was highly formulaic and ritualized. Most places did not have professional full-time clergy; priests were local officials whose priesthoods were not full time jobs. Major religious sites such as the oracles of pilgrimage brought in enough spiritual tourism to need a full time clerical staff.

Heraclitus is an excellent example of the Pre-Socratic philosopher. All of his existing fragments can be written in 45 small pages as poetry. (Brooks Haxton, a poet, has provided a very interesting translation of all of the fragments of Heraclitus titled "Fragments, the Collected Wisdom of Heraclitus.") Although he wrote twenty-five hundred years ago and very little of his work still exists, it is very appealing.

During this period sculpture became more and more naturalistic. Common people, women, children, animals and domestic scenes became acceptable subjects for sculpture, which was commissioned by wealthy families for the adornment of their homes and gardens. Realistic portraits of men and women of all ages were produced, and sculptors no longer felt obliged to depict people as ideals of beauty or physical perfection. At the same time, the new Hellenistic cities springing up all over Egypt, Syria, and Anatolia required statues depicting the gods and heroes of Greece for their temples and public places. This made sculpture, like pottery, an industry, with the consequent standardisation and some lowering of quality. For these reasons many more Hellenistic statues have survived than is the case with the Classical period.

According to Iamblichus, the Pythagoreans followed a structured life of religious teaching, common meals, exercise, reading and philosophical study. We may infer from this that participants required some degree of wealth and leisure to join the inner circle. Music featured as an essential organizing factor of this life: the disciples would sing hymns to Apollo together regularly; they used the lyre to cure illness of the soul or body; poetry recitations occurred before and after sleep to aid the memory.

The Ancient Greeks made pottery for everyday use, not for display; the trophies won at games, such as the Panathenaic amphorae (wine decanters), are the exception. Most surviving pottery consists of drinking vessels such as amphorae, kraters (bowls for mixing wine and water), hydria (water jars), libation bowls, jugs and cups. Painted funeral urns have also been found. Miniatures were also produced in large numbers, mainly for use as offerings at temples. In the Hellenistic period a wider range of pottery was produced, but most of it is of little artistic importance.