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In the Byzantine period, religious art was the dominate theme, with highly-decorated mosaics and icons adorning religious buildings. The Renaissance artist, El Greco (Domenikos Theotocopoulos), responded to Byzantine and 16th century Mannerist art, producing sculpture and paintings with a liberated form, light and colour that inspired 20th century artists such as Pablo Picasso and Jackson Pollock

The sculpture of Ancient Greece is by far the most important surviving form of Ancient Greek art, although only a small fragment of Greek sculptural output has survived. Greek sculpture, often in the form of Roman copies, was immensely influential during the Italian Renaissance, and remained the “classic” model for European sculpture until the advent of modernism in the late 19th century.

The oldest surviving folk songs in all of Greece can be traced to the 17th century, when songs in the rizitika type were recorded by monks at Iviron and Xyropotamos at Mount Athos. Recording secular folk songs was almost certainly forbidden by the monk's code of conduct. However, the connection between music and religion continues in modern Crete; priests are said to be excellent folk singers, including the rizitiko singer Aggelos Psilakis. It was during this period, when modern Cretan folk music was formed, that Francisco Leontaritis was active. Leontaritis is said to be the father of modern Greek music.

Every Greek town of any size also had a palaestra or a gymnasium. These were essentially enclosed spaces, open to the sky and lined with shaded colonnades, used for athletic contests and exercise: they were the social centres for male citizens. Greek towns also needed at least one bouleuterion or council chamber, a large square building which served as both a meeting place for the town council (boule) and as a court house. Because the Greeks did not use arches or domes, they could not build large rooms with unsupported rooves: the bouleuterion thus had rows of internal columns to hold the roof up. No examples of these buildings survive.

The president is elected by parliament to a five-year term and can be reelected once. The president has the power to declare war and to conclude agreements of peace, alliance, and participate in international organizations; upon the request of the government a three-fifths parliamentary majority is required to ratify such actions, agreements, or treaties. The president also can exercise certain emergency powers, which must be countersigned by the appropriate cabinet minister. Changes to the constitution in 1986 limited the president's political powers. As a result, the president may not dissolve parliament, dismiss the government, suspend certain articles of the constitution, or declare a state of siege. To call a referendum, he must obtain approval from parliament.

In addition to the local cults of major gods, various places like crossroads and sacred groves had their own tutelary spirits. There were often altars erected outside the precincts of the temples. Shrines like hermai were erected outside the temples as well. Heroes, in the original sense, were demigods or deified humans who were part of local legendary history; they too had local hero-cults, and often served as oracles for purposes of divination. What religion was, first and foremost, was traditional; the idea of novelty or innovation in worship was out of the question, almost by definition. Religion was the collection of local practices to honour the local gods.

In any case, Pythagoras undertook a reform of the cultural life of Croton, urging the citizens to follow virtue and form an elite circle of followers around himself. Very strict rules of conduct governed this cultural center. He opened his school to men and women students alike.

After the fall of Constantinople, many church musicians fled to Crete, as did numerous Venetians. A French physician in 1547 (Pierre Bellon) reported warrior-like dances on Crete, and Sherley, an English traveller, reported in 1599 of wild dances performed late at night.

The Greeks decided at a very early period that the human form was the most important subject for artistic endeavour. Since they saw their gods as having human form, there was no distinction between the sacred and the secular in art — the human body was both secular and sacred. A male nude could just as easily be Apollo or Herakles or that year's current Olympic boxing champion. In the Archaic Period the most important sculptural form was the kouros (plural kouroi), the standing male nude (See for example Biton and Kleobis). The kore (plural korai), or standing female figure, was also common, but since Greek society did not permit the public display of female nudity until the 4th century BC, the kore is considered to be of less importance in the development of sculpture.

Julians vision of a synthesis of Platonism and Hellenism was taken up in the 14th century by George Gemistos Plethon, a forerunner of the Renaissance. Julians vision has also, in modern times, become the starting point of Greek Reconstructionists who also call their religion Hellenismos.

Pythagoras has the reputation of having taught a doctrine of reincarnation. His other teachings appear framed in pithy sayings, or sumbola, often in question-and-answer format. Some of these teachings took a simple form: "What is wisest?" "Number"; "What is truest?" "Most men are bad." Others were more cryptic: "What is the Delphic oracle?" "The tetraktys, in which the Sirens sing." Other sumbola related to sexual, dietary and other taboos, including the proper way to stir a fire or place one's shoes before going to sleep.

The temple was the most common and best-known form of Greek public architecture. The temple did not serve the same function as a modern church. Some temples housed the altar of the god or goddess to whom it was dedicated, but many did not. Temples served as storage places for the treasury associated with the cult of the god in question, as the location of a statue of the god (though this was not an idol in a religious sense), and a place for devotees of the god to leave their offerings, such as dedicated statues. The inner building of the temple, the cella, thus served mainly as a strongroom and storeroom. It was usually lined by another row of columns.

The low pitch of Greek rooves produced a flat triangular shape at each end of the building, the pediment, which was usually filled with sculptural decoration. Along the sides of the building, between the tops of the columns and the roof, was a row of blocks now known as the entablature, whose outward-facing surfaces also provided a space for sculptures, known as friezes, which consisted of alternating metopes and triglyphs. No surviving Greek building preserves these sculptures intact, but they can be seen on some modern imitations of Greek buildings, such as the Greek National Academy building in Athens.

Greek religion is the polytheistic religion practiced in ancient Greece in form of cult practices, thus the practical counterpart of Greek mythology. Within the Greek world, religious practice varied enough so that one might speak of Greek religions. The cult practices of the Hellenes extended beyond mainland Greece, to the islands and coasts of Ionia in Asia Minor, to Magna Graecia (Sicily and southern Italy) and to scattered Greek colonies in the Western Mediterranean, such as Massilia (Marseille). Greek examples tempered Etruscan cult and belief to inform much of the Roman religion.

The influence of Pythagoras has transcended the field of mathematics, and the Hippocratic Oath — with its central commitment to First do no harm — has its roots in the oath of the Pythagorean Brotherhood